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Reviews of silent film releases on DVD home video.
Copyright © 1999-2008 by Carl Bennett. All Rights Reserved.

Landmarks of Early Film
Volume 2
The Magic of Méliès

(1904-1908)
on

This second of two DVD compilations culled from the 1994 five-videocassette collection The Movies Begin released by Kino International is part of an overview history lesson for film buffs. This DVD program at hand is lifted wholesale from cassette four of that Kino collection and was also previously available on a 1995 laserdisc and is now available on DVD. — Carl Bennett

1999 Image Entertainment edition

Landmarks of Early Film, Volume 2: The Magic of Méliès (1904-1908), black & white and hand-tinted color, 101 minutes, not rated, with Georges Méliès: Cinema Magician (1978), color and black & white, ? minutes, not rated.

Image Entertainment, ID4668DSDVD, UPC 0-14381-46682-9.
Full-frame 4:3 NTSC, one single-sided, single-layered DVD disc, Region 0, ? Mbps average video bit rate, ? kbps audio bit rate, Dolby Digital stereo and mono sound, English language intertitles, no foreign language subtitles, chapter stops, snapper case, $24.99.
DVD release date: 30 March 1999.
Country of origin: USA

Ratings (1-10): video: 7 / audio: 7 / additional content: 5 / overall: 6.

The opening documentary, Georges Méliès: Cinema Magician, serves as an introduction to the cinematic work of Méliès. Its French-accented narration is a drawback, as is the generally moderate quality of the motion picture materials and soundtrack. Inserted into the documentary is a new transfer of a hand-tinted print of The Impossible Voyage (1904), which is a companion to the hand-tinted version of A Trip to the Moon (1902) available on Volume 1 of this DVD series.

The Untamable Whiskers (1904) utilizes a series of dissolves between shots of character makeup on Méliès. He draws the intended character on a blackboard then poses as the makeup appears on his face. The Cook in Trouble (1904) is another example of a wizard and Méliès’ stop-action demons causing havoc in a cook’s kitchen. Tchin-Chao, the Chinese Conjurer (1904) features Méliès in Chinese garb and makeup performing stop-action magic.

The Wonderful Living Fan (1904) is a costume piece with a man of royalty being entertained by a large fan that transforms into a fan of beautiful women. The Mermaid (1904) does more of Méliès’ trademark stop-action conjuring before the film turns to its real subject, a mermaid that turns into woman followed by Méliès transforming into Poseidon for the final tableaux. In The Living Playing Cards (1905) Méliès turns a playing to a live queen and back again, before making a king come alive and a surprise ending. The Black Imp (1905) appears to use the same set as another Méliès film . . . another demon causes trouble for a hotel patron.

The Enchanted Sedan Chair (1905) features an unusual combination of dissolve and cutting to create a transformation effect and some very smooth cutting effects. The Scheming Gamblers Paradise (1905) features a gambling parlor that transforms in a matter of seconds when the police are around. The police appropriate the hall for their own use. The Hilarious Posters (1905) features a transformation of paper posters into a series of living characters, but is also the kind of nonsense that 1905 audiences were beginning to get bored with. The Mysterious Retort (1906) a wizard, a snake, an imp, a spider, an apparition and a beautiful woman. What more could you want from a Méliès film?

The Eclipse: The Courtship of the Sun and the Moon (1907) harkens back to Méliès’ earlier fantastical excursions, and may feature the earliest use of intertitles in a Méliès film. Great expressions on the sun’s face. In Good Glue Sticks (1907) two policemen break up the activities of a street merchant selling glue. When the policemen fall asleep on a park bench, the merchant gets his revenge by gluing the two policemen together. In Long Distance Wireless Photography (1908) Méliès is a scientist who demonstrates his new invention.

Ignoring the older prints used in the Méliès documentary, the materials utilized for the video transfers of the short films range from very good to excellent. The print of The Cook in Trouble suffers from occasional frame jitters. Tchin-Chao, the Chinese Conjurer looks as though it was restored from a Library of Congress paper print, which is not a shortcoming. Many of the paper prints held by the Library of Congress have been recopied to 35mm restoration negatives and look almost indistinguishable from original filmstock prints. The Black Imp appears here in a much-improved print from the one utilized for the documentary.

Overall, the program’s appeal is brought down by the documentary, but the generous number of quality Méliès’ films include here makes the disc a worthwhile addition to the silent film enthusiasts’ collection.

 
USA: Click the logomark at right to purchase
a Region 0 NTSC DVD of this edition from Amazon.com.
Canada: Click the logomark at right to purchase
a Region 0 NTSC DVD of this edition from Amazon.ca.
Other Georges Méliès films available on DVD home video:
Georges Méliès: First Wizard of Cinema (1896-1913) (1896-1953)
Landmarks of Early Film, Volume 1 (1894-1913)
Méliès the Magician (1898-1997)
The Movies Begin: The Magic of Méliès (1904-1908)

Other French silent era films available on DVD home video:
Au Secours! (1924)
Captain Fracasse (1928)
The Chess Player (1927)
Un Chien Andalou (1929)
The Crazy Ray (1922)
Cyrano de Bergerac (1925)
Entr’acte (1924)
The Fall of the House of Usher (1928)
La Folie du Docteur Tube (1915)
The Italian Straw Hat (1928)
Judex (1916-1917)
Laugh with Max Linder (1908-1921)
The Lumière Brothers’ First Films
Napoleon (1927)
The Passion of Joan of Arc (1928)
La Terre (1921)
Les Vampires (1915-1916)

 
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