This frothy comedy starring Evelyn Brent and Louise Brooks is cherished by Brooks’ fans for her early featured role as a young party girl.

Mame (Brent) has been caring for her sister Janie (Brooks) since their mother died. While Mame is the responsible one at home, Janie stays out late having fun. Bill (Lawrence Gray) from down the hall is sweet on Mame. All three work at a department store, where Janie has been made treasurer of the employee league dues. Lem (Osgood Perkins), a scoundrel in the apartment building, recommends a race bet that Janie cannot resist, and she uses some of the league dance money to place her wager.

Mame’s creative ideas have mistakenly been credited to Bill and he is is given a chance to be a window dresser at the store. When Mame leaves on vacation, Bill and Janie try window dressing together, with disasterous results: Janie seduces Bill. Meanwhile, Mame returns early to find Bill kissing her sister. To top it off, Janie’s gambling has left her eighty dollars in the red. Lem convinces her to bet the last of the league money to cover her losses. Surprisingly, the horse comes in, but Lem lies about placing the bet for her. Janie allows the blame for the missing money to fall on Mame.

Although she doesn’t deserve it, Mame comes to Janie’s rescue by stealing the money back from Lem. When Lem steals it back, the two begin an unusual male-female fight with Mame coming out on top. Even though the money is returned, both Bill and Mame are fired. But all is still alright with the world as the couple make up in a display window.

Brent turns in an appropriately subdued and gentle performance in comparison to her firey turn in The Last Command (1928). Brooks plays herself, basically, as the male-manipulating and impulsively girlish vamp. Of note is a brief filmed dance performance by Brooks, who began her entertainment career as a dancer. — Carl Bennett

2007 Grapevine Video edition

Love ’em and Leave ’em (1926), black & white, 65 minutes, not rated, with Railroad Stowaways (1926), black & white, 7 minutes, not rated.

Grapevine Video, no catalog number, no UPC number.
Full-frame 4:3 NTSC, one single-sided, single-layered DVD-R disc, Region 0, ? Mbps average video bit rate, ? kbps audio bit rate, PCM 2.0 stereo sound, English language intertitles, no foreign language subtitles, chapter stops, keep case, $16.95.
DVD release date: November 2007.
Country of origin: USA

This budget edition has likely been mastered from a 16mm reduction print.

This Region 0 NTSC disc is available directly from Grapevine Video.

This DVD-R edition from Sunrise Silents, a small public-domain home video company, has been transferred from a 16mm reduction print of good to very-good quality. The print is hampered by the usual shortcomings of 16mm prints: tight cropping that comes close to the edges of intertitles, speckling, dust, some light emulsion damage that was likely present in the source print, picture movement within the frame, soft image details, a slightly contrasty picture, and exposure fluctuations. The windowboxed transfer shows us all of the image available after the image has been gated in the projector, and is of very-good quality for its holding of what highlights and shadow details are present in the 16mm print.

The film is anonymously accompanied by a music score performed on digital piano. The music is somewhat one dimensional, but it serves its purpose well enough, and it is far, far better than a canned score lifted from old and unrelated recordings.

Overall, the disc is of good quality and is very watchable despite the quality of the 16mm source print. We recommend this disc until an edition transferred from a 35mm print becomes available.

This disc is available in Region 0 NTSC or PAL directly from Sunrise Silents.