| Rank |
Title |
Year |
Director |
Country of Production |
| 101. |
Male and Female |
1919 |
Cecil B. DeMille |
USA |
| 102. |
The Black Pirate |
1926 |
Albert Parker |
USA |
| 103. |
College |
1927 |
James W. Horne |
USA |
| 104. |
Aelita |
1924 |
Yakov Protazanov |
USSR |
| 105. |
Spione
[Spies] |
1928 |
Fritz Lang |
Germany |
| 106. |
Potomok Chingis-khana
[Storm Over Asia] |
1928 |
Vsevolod I. Pudovkin |
USSR |
| 107. |
The Covered Wagon |
1923 |
James Cruze |
USA |
| 108. |
The Merry Widow |
1925 |
Erich von Stroheim
and Monta Bell |
USA |
| 109. |
Hell’s Hinges |
1916 |
Charles Swickard and William S. Hart |
USA |
| 110. |
Berg-Ejvind och hans Hustru
[The Outlaw and His Wife] |
1917 |
Victor Sjöström |
Sweden |
| 111. |
West of Zanzibar |
1928 |
Tod Browning |
USA |
| 112. |
Der Student von Prag
[The Student of Prague] |
1926 |
Henrik Galeen |
USA |
| 113. |
The Pilgrim |
1923 |
Charles Chaplin |
USA |
| 114. |
Körkarlen
[The Phantom Chariot] |
1920 |
Victor Sjöström |
Sweden |
| 115. |
Blood and Sand |
1922 |
Fred Niblo |
USA |
| 116. |
Spite Marriage |
1929 |
Edward Sedgwick |
USA |
| 117. |
Shoulder Arms |
1918 |
Charles Chaplin |
USA |
| 118. |
The Strong Man |
1926 |
Frank Capra |
USA |
| 119. |
The Ten Commandments |
1923 |
Cecil B. DeMille |
USA |
| 120. |
A Woman of Affairs |
1928 |
Clarence Brown |
USA |
| 121. |
The Cat and the Canary |
1927 |
Paul Leni |
USA |
| 122. |
Hands Up! |
1926 |
Clarence Badger |
USA |
| 123. |
Regeneration |
1915 |
Raoul Walsh |
USA |
| 124. |
The Scarlet Letter |
1926 |
Victor Sjöström |
USA |
| 125. |
Piccadilly |
1929 |
E.A. Dupont |
England |
| 126. |
Liberty |
1929 |
Leo McCarey |
USA |
| 127. |
Berlin: die Sinfonie einer Großstadt [Berlin: The Symphony of a Great City] |
1927 |
Walter Ruttmann |
Germany |
| 128. |
Our Dancing Daughters |
1928 |
Harry Beaumont |
USA |
| 129. |
Umarete wa Mita Keredo
[I Was Born, But . . . ] |
1932 |
Yasujiro Ozu |
Japan |
| 130. |
The Playhouse |
1921 |
Buster Keaton and
Eddie Cline |
USA |
| 131. |
The Marriage Circle |
1924 |
Ernst Lubitsch |
USA |
| 132. |
A Girl in Every Port |
1928 |
Howard Hawks |
USA |
| 133. |
A Dog’s Life |
1918 |
Charles Chaplin |
USA |
| 134. |
The Gaucho |
1927 |
F. Richard Jones |
USA |
| 135. |
Gertie the Trained Dinosaur |
1914 |
Winsor McCay |
USA |
| 136. |
Go West |
1925 |
Buster Keaton |
USA |
| 137. |
True Heart Susie |
1919 |
D.W. Griffith |
USA |
| 138. |
Kurutta Ippeiji
[A Page of Madness] |
1926 |
Teinosuke Kinugasa |
Japan |
| 139. |
Tell It to the Marines |
1927 |
George W. Hill |
USA |
| 140. |
The Great K & A Train Robbery |
1926 |
Louis Seiler |
USA |
| 141. |
Grandma’s Boy |
1922 |
Fred Newmeyer |
USA |
| 142. |
Arsenal |
1929 |
Aleksander Dovzhenko |
USSR |
| 143. |
Menschen am Sonntag
[People on Sunday] |
1929 |
Robert Siodmak, Edgar G. Ulmer, Billy Wilder and Fred Zinnemann |
Germany |
| 144. |
Blind Husbands |
1919 |
Erich von Stroheim |
USA |
| 145. |
Le Joueur d’échecs
[The Chess Player] |
1927 |
Raymond Bernard |
France |
| 146. |
Tret’ia Meshchanskaia
[Bed and Sofa] |
1927 |
Abram Room |
USSR |
| 147. |
The Patsy |
1928 |
King Vidor |
USA |
| 148. |
Battling Butler |
1926 |
Buster Keaton |
USA |
| 149. |
One Week |
1920 |
Buster Keaton and
Eddie Cline |
USA |
| 150. |
Easy Street |
1917 |
Charles Chaplin |
USA |
| 151. |
Why Worry? |
1923 |
Fred Newmeyer and
Sam Taylor |
USA |
| 152. |
Scaramouche |
1923 |
Rex Ingram |
USA |
| 153. |
Das Wachsfigurenkabinett
[Waxworks] |
1924 |
Paul Leni |
USA |
| 154. |
Don Juan |
1926 |
Alan Crosland |
USA |
| 155. |
Our Daily Bread
(City Girl) |
1929 |
F.W. Murnau |
USA |
| 156. |
Hindle Wakes |
1927 |
Maurice Elvey |
England |
| 157. |
Tumbleweeds |
1925 |
King Baggot |
USA |
| 158. |
For Heaven’s Sake |
1926 |
Sam Taylor |
USA |
| 159. |
Two Tars |
1928 |
James Parrott |
USA |
| 160. |
Jujiro
[Crossroads] |
1928 |
Teinosuke Kinugasa |
Japan |
| 161. |
The Cure |
1917 |
Charles Chaplin |
USA |
| 162. |
Lonesome |
1928 |
Paul Fejos |
USA |
| 163. |
La Chute de la Maison Usher
[The Fall of the House of Usher] |
1928 |
Jean Epstein |
France |
| 164. |
Daddy-Long-Legs |
1919 |
Marshall Neilan |
USA |
| 165. |
What Price Glory? |
1926 |
Raoul Walsh |
USA |
| 166. |
The Sea Hawk |
1924 |
Frank Lloyd |
USA |
| 167. |
Der Brennende Acker
[The Burning Soil] |
1922 |
F.W. Murnau |
Germany |
| 168. |
Entr’acte |
1924 |
René Clair |
France |
| 169. |
Three Ages |
1923 |
Buster Keaton and
Eddie Cline |
USA |
| 170. |
Asphalt |
1929 |
Joe May |
Germany |
| 171. |
Die Abenteuer des Prinzen Achmed
[The Adventures of Prince Achmed] |
1926 |
Lotte Reiniger |
Germany |
| 172. |
The Eagle |
1925 |
Clarence Brown |
USA |
| 173. |
J’Accuse |
1918 |
Abel Gance |
France |
| 174. |
Ménilmontant |
1926 |
Dmitri Kirsanov |
France |
| 175. |
Peter Pan |
1924 |
Herbert Brenon |
USA |
| 176. |
Rebecca of Sunnybrook Farm |
1917 |
Marshall Neilan |
USA |
| 177. |
Within Our Gates |
1920 |
Oscar Micheaux |
USA |
| 178. |
The Trail of ’98 |
1928 |
Clarence Brown |
USA |
| 179. |
Tramp, Tramp, Tramp |
1926 |
Harry Edwards |
USA |
| 180. |
Brown of Harvard |
1926 |
Jack Conway |
USA |
| 181. |
Hot Water |
1924 |
Sam Taylor and
Fred Newmeyer |
USA |
| 182. |
Tartüff |
1925 |
F.W. Murnau |
Germany |
| 183. |
The Finishing Touch |
1928 |
Clyde Bruckman |
USA |
| 184. |
Po zakonu
[By the Law] |
1926 |
Lev Kuleshov |
USSR |
| 185. |
White Shadows in the South Seas |
1928 |
W.S. Van Dyke |
USA |
| 186. |
Lady Windermere’s Fan |
1925 |
Ernst Lubitsch |
USA |
| 187. |
The Whispering Chorus |
1918 |
Cecil B. DeMille |
USA |
| 188. |
Die Austernprinzessin
[The Oyster Princess] |
1919 |
Ernst Lubitsch |
Germany |
| 189. |
Casanova |
1927 |
Alexander Volkov |
France |
| 190. |
L’Argent |
1928 |
Marcel L’Herbier |
France |
| 191. |
The Rink |
1916 |
Charles Chaplin |
USA |
| 192. |
Behind the Screen |
1916 |
Charles Chaplin |
USA |
| 193. |
La Bohème |
1926 |
King Vidor |
USA |
| 194. |
Chang: A Drama of the Wilderness |
1927 |
Merian C. Cooper and
Ernest B. Schoedsack |
USA |
| 195. |
Cobra |
1925 |
Joseph Henabery |
USA |
| 196. |
The Dream of a Rarebit Fiend |
1906 |
Edwin S. Porter |
USA |
| 197. |
The Electric House |
1922 |
Buster Keaton and
Eddie Cline |
USA |
| 198. |
Grass: A Nation’s Battle for Life |
1925 |
Merian C. Cooper and Ernest B. Schoedsack |
USA |
| 199. |
Laugh, Clown, Laugh |
1928 |
Herbert Brenon |
USA |
| 200. |
The Pawnshop |
1916 |
Charles Chaplin |
USA |