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SILENT ERA FILMS ON HOME VIDEO
Reviews of silent film releases on home video.
Copyright © 1999-2009 by Carl Bennett.
All Rights Reserved.

Entr’acte
(1924)

A collaboration of filmmaker René Clair, artist Francis Picabia and composer Erik Satie, this avant-garde film was originally intended as an interlude for Satie’s score for the ballet Relâche, presented by the Swedish Ballet at the Théâtre des Champs Élysées in 1924.

2002 Criterion Collection edition

Entr’acte (1924), black & white, 20 minutes, not rated,
with À Nous la liberté (1931), black & white, 83 minutes, not rated.

Criterion Collection, NOU010, UPC 0-37429-14772-6, ISBN 0-78002-310-2.
Windowboxed 4:3 NTSC, one single-sided, dual-layered DVD disc, Region 0, 6.5 Mbps average video bit rate, 192 kbps audio bit rate, Dolby Digital 2.0 stereo sound, English language intertitles, no foreign language subtitles, 1 chapter stop, keep case, $39.95.
DVD release date: 20 August 2002.
Country of origin: USA

Ratings (1-10): video: 8 / audio: 7 / additional content: 8 / overall: 8.

As would be expected, this edition of Entr’acte (1924) from The Criterion Collection is the best available on DVD home video, mastered from the 35mm restoration by Cinémathèque Française and Films Pathé. The excellent restoration print contains a broad range of graytones, with very-good to excellent image detail. Some dust, emulsion scuffing and speckling remains in the windowboxed video transfer.

The film is accompanied by a 1967 recording of Erik Satie’s original music score for the film.

This is, by far, the best edition of Entr’acte we have seen on home video, and one that still plays well on high-definition equipment.

 
USA: Click the logomark at right to purchase
a Region 0 NTSC DVD of this edition from Amazon.com.
 
Canada: Click the logomark at right to purchase
a Region 0 NTSC DVD of this edition from Amazon.ca.

2005 Risqué Cinema edition

Entr’acte (1924), black & white, 13 minutes, not rated,
with Le ballet mécanique (1924), black & white, 15 minutes, not rated, Anémic cinéma (1926), black & white, 5 minutes, not rated, and La coquille et le clergyman (1928), black & white, 28 minutes, not rated.

Risqué Cinema, RC003, unknown UPC number.
Full-frame 4:3 NTSC, one single-sided, single-layered DVD disc, Region 0, ? Mbps average video bit rate, ? kbps audio bit rate, Dolby Digital 2.0 mono sound, English language intertitles, no foreign language subtitles, 1 chapter stop, keep case, $24.95.
DVD release date: 26 April 2005.
Country of origin: USA

Ratings (1-10): video: 2 / audio: 4 / additional content: 4 / overall: 3.

This subpar collection offers a terrible edition of the René Clair film, and would doubtless outrage quality-minded collectors purchasing this disc. The video transfer has been prepared from a bad 16mm reduction print, which is very contrasty and full of sequences with closed-up shadow detail and highlights that are blasted out to near-whiteness.

The film is presented with the nondescript orchestral score from the 16mm print.

We’re not mincing words here, avoid this edition like the plague.

 
USA: Click the logomark at right to purchase
a Region 0 NTSC DVD of this edition from Amazon.com.
 
Canada: Click the logomark at right to purchase
a Region 0 NTSC DVD of this edition from Amazon.ca.

Other silent era René Clair films available on home video:
The Crazy Ray (1923)
The Italian Straw Hat (1928)
Le voyage imaginaire (1926)

Other FRENCH silent era films available on home video.

Other silent era avant-garde films available on home video:
Anémic cinéma (1926)
Anthology of Surreal Cinema, Volume 1 (1924-1928)
Avant-Garde: Experimental Cinema of the 1920s and ’30s (1921-1947)
Avant-Garde 2: Experimental Cinema, 1928-1954 (1928-1954)
Le ballet mécanique (1924)
La coquille et le clergyman (1928)
The Crazy Ray (1923)
The Fall of the House of Usher (1928)
La folie du Docteur Tube (1915)
Unseen Cinema: Early American Avant-Garde Film (1894-1947)

Other historical silent era film collections on home video:
Biograph Productions, Volume 1 (1896-1905)
Early Cinema: Primitives and Pioneers (1895-1910)
Edison: The Invention of the Movies (1891-1918)
Electric Edwardians: The Lost Films of Mitchell & Kenyon (1900-1906)
The Lumière Brothers’ First Films (1895-1897)
The Movies Begin (1894-1913)
The Origins of Film (1900-1926)
Treasures from American Film Archives (1893-1960)
Treasures III: Social Issues in American Film (1900-1934)
Unseen Cinema: Early American Avant-Garde Films (1894-1947)
More Treasures from American Film Archives (1894-1931)
The Movies Begin (1894-1913)
The Origins of Film (1900-1926)
Treasures from American Film Archives (1893-1960)
Treasures III: Social Issues in American Film (1900-1934)
Unseen Cinema: Early American Avant-Garde Films (1894-1947)

 
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