This DVD-R edition has been transferred from good to very-good 16mm reduction print materials that lose highlight picture details while maintaining reasonable detail in shadows. The source print generally features a broad range of greytones.
The full-frame video transfer has reportedly been scanned at high-resolution and digitally cleaned utilizing custom video software. The digital processing has stabilized the picture within the frame, and frame-specific digital work has been performed to remove and repair print flaws such as scratches, dust, speckling and timing marks. While the picture stabilization itself is impressive, it comes at the cost of picture elements within the frame that move about (ie. the actors). There is a jerkiness to movement in the details of faces and bodies as the software averages the picture details of a number of frames (traditionaly, seven frames in standard DVDs) then releases the sampling for the next group of frames. On occasion, an actor will slightly turn their head and the features of their face will catch up with the movement a fraction of a second later. Water details, in the boating accident scene, have been particularly compromised by this digital process.
The disc has been mastered with play settings that forced our main reviewing BD player into an irrecoverable zoom mode that filled our 16:9 HD widescreen monitor, cropping both the top and bottom of the 4:3 picture off. (We have encountered this elsewhere only on the Chaplin remastered DVDs from Warner Home Video.) When the same zoom state occured on a secondary reviewing DVD player, proper aspect ratio and framing of the picture required manually resetting the monitor.
The presentation features viewer-selectable music scores of period music performed on a MIDI synthesizer emulating either a piano or organ which are, at very least, competently assembled and sonically pleasing.
The disc is supplemented with modern documentary footage of locations utilized in A Florida Enchantment (1914), which were shot with a vintage silent era camera that was not quite in proper adjustment (2 minutes). Also presented is a side-by-side comparison of the original transfer from the 16mm source print and the stabilized and cleaned video master, and an extensive still photograph gallery of A Florida Enchantment locations.
Months of work went into the clean-up of the video master, but to what end? The ‘restored’ picture will look better on standard resolution monitors than it does on high-definition systems. The results look to us like a progressive up-conversion of a VHS videotape, with its smeary digital averaging of picture elements. We found that the picture was of higher quality when we viewed our old laserdisc copy of A Florida Enchantment from The Origins of Film boxset. We feel that the this video master would play best on streaming video for a computer (which streams at lower than DVD quality) or a digital copy intended for viewing on a mobile device such as an iPod or a smartphone.
Ultimately, an HD transfer from 35mm print materials coupled with digital restoration at a higher-resolution and sampling rate would have helped this edition. We still recommend the edition of A Florida Enchantment in the out-of-print The Origins of Film DVD set, which is noted above, as the best available on home video.
| USA: Click the logomark to purchase this Region 0 NTSC DVD-R edition from Amazon.com. Your purchase supports the Silent Era website. |
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| This Region 0 NTSC DVD-R edition is also available directly from HARPODEON. |
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