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Copyright © 1999-2019 by Carl Bennett
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Wicked Darling



This first collaboration of director Tod Browning and actors Lon Chaney and Priscilla Dean set the tone for a number of crime films the trio would make at Universal. Versatile Dean is tough as nails as ‘The Gutter Rose’ and endearingly charming as the reformed Mary Stevens, waitress. Chaney is snarlingly menacing as ‘Stoop’ Connors, street tough. The film is unpredictable and entertaining.

Originally thought to be a lost film, a 35mm nitrate print of the slightly-truncated Dutch-language version of the European export negative of The Wicked Darling (1919) was recovered in the 1990s and preserved at the EYE Film Instituut Nederland. Copied photomechanically to new fine-grain 35mm preservation negatives and prints in Dutch and English, which also preserves the source print’s subpar survival state, much of the mildew damage to the print’s emulsion could be repaired in a high-resolution digital restoration, that may not happen due to its high cost in technician and computer-processing hours. — Carl Bennett

coverImage Entertainment
2005 DVD edition

Victory (1919), color-toned black & white, 62 minutes, not rated,
with The Wicked Darling (1919), color-toned black & white, 59 minutes, not rated.

Film Preservation Associates, distributed by Image Entertainment,
ID0315DSDVD, UPC 0-14381-03152-2.
One single-sided, dual-layered, Region 0 NTSC DVD disc, 1.33:1 aspect ratio image in full-frame 4:3 (720 x 480 pixels) interlaced scan MPEG-2 format, ? Mbps average video bit rate, ? kbps audio bit rate, Dolby Digital 2.0 stereo sound, English language intertitles, no foreign language subtitles, chapter stops; standard DVD keepcase, $19.99.
Release date: 25 January 2005.
Country of origin: USA

Ratings (1-10): video: 6 / audio: 6 / additional content: 8 / overall: 6.

This DVD edition has been mastered from a duplicate 35mm print copied from the sole-surviving 35mm nitrate materials held by the EYE Film Instituut Nederland. The slightly-abridged print is significantly-damaged in places by mildew, which creates blotches of white speckling in the dark emulsion of the print, and by several splices and some sprocket-damage in the image area of the print, but remains watchable.

The full-frame video transfer runs at slightly-faster than natural speed, and holds much of the print’s tonal range and image details. Some highlight details are blasted out and shadows are often closed-up, but not to the extent that is common in many reduction prints. Some brief sections of the transfer flutter back and forth quickly, twitching the film’s action, as if a few frames advance, move back and then forward again — all within about a half-second of time. Not worth mentioning for once, but it happens several times throughout the presentation.

The digital video master substitutes the Dutch intertitles of the source print with English, following the original intertitles list in Universal’s corporate files. A few Dutch intertitles have been translated from the source print where they are missing from the documentation. Some fade-outs have been added in the transfer, and some flash frames of footage are represented by still frames in an attempt to retain the pacing of the scene and give viewers a chance to take in the surviving image. Missing footage is represented by black frames and is also bridged by expositional intertitles in an italicized typefont.

The presentation features a passable music score, with a few sound effects, performed on synthesizers by Eric Beheim.

Liner notes are by author Michael F. Blake. This moderately-priced disc is an excellent value for Chaney fans.

USA: Click the logomark to purchase this Region 0 NTSC DVD edition from Your purchase supports the Silent Era website. AmazonUS
Canada: Click the logomark to purchase this Region 0 NTSC DVD edition from Your purchase supports the Silent Era website. AmazonCA
Other silent era LON CHANEY films available on home video.
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